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CRITICAL RACE THEORY AND COPYRIGHT IN AMERICAN DANCE IBD

PALGRAVE MACMILLAN
01 / 2016
9781349458189
Inglés

Sinopsis

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

PVP
48,01